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    <loc>http://www.mattmorrisworks.com/info</loc>
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    <lastmod>2025-07-22</lastmod>
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  <url>
    <loc>http://www.mattmorrisworks.com/writing</loc>
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    <lastmod>2025-07-22</lastmod>
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  <url>
    <loc>http://www.mattmorrisworks.com/page-cv</loc>
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    <lastmod>2025-07-08</lastmod>
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  <url>
    <loc>http://www.mattmorrisworks.com/monochromes</loc>
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    <priority>0.75</priority>
    <lastmod>2020-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333750457-77N8NTF5EIM7PVPGHEIB/morris_miss+mauve.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>miss mauve (with apologies to Agatha Christie), 2013 oil on linen on panel 12" x 16.25"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333811069-0A0T1OKTID18LF1RL6GQ/image-asset.jpeg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>Fagnes Martin, 2015 Watercolor and colored pencil on linen on panel 12” x 16”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333674955-TBVHTWT3SVEX28M83BMH/supreme.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>Supreme, 2014 Oil on linen on panel 12” x 16”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333862308-69L3HG9QXKLC4JWYNRJN/image-asset.jpeg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>jouissance, 2015 oil on linen on panel 11.75" x 16.25"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333712965-C28T8NE77QM6PG76UJ8T/sows+ear+silk+purse.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>Sow's Ear Silk Purse, 2015 Oil on linen on panel 12” x 16.25”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333835647-ACGQV9168WLBU2M20HVG/grape+sac+sac.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>Grape Sac Sac, 2015 Oil on linen on panel 12” x 16”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333638933-1NAO2STISS52G7I3G37U/jouissance_i.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>jouissance, 2015 oil and wax on linen on panel 11.75" x 16.375"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333779767-8IA3K63G1E95WWENEUUR/other+otter.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>Other Otter, 2014 Oil and wax on linen on panel 12” x 16”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333603697-RVGOZYE88AG69DAYE6KT/is+that+a+holiday_web.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>Is that a Holiday?, 2015 oil on linen on panel 12” x 16”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333356754-8MQRO9NPSYXHYTIJ7JZN/morris+warhol+install.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>Installation view of Matt Morris paintings + Andy Warhol polaroids, 2017 Three One on Ones, curated by Magalie Guérin McAninch Arts Center, Glen Ellyn, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333486034-PLRKPHG0LSL6KJVU8PLL/image-asset.jpeg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>mmfrost, 2016 oil on linen on panel 12" x 16.25"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333884266-VSRQ87OVAL74EZ18JWKF/danny++the+street.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>Danny the Street, 2015 Oil on linen on panel 12” x 16.25”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333913701-TPNO5YUOC2IOI7UQR4AJ/eight+of+pentacles.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>Eight of Pentacles, 2013 oil on linen on panel 12" x 16.25"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333445758-91EIPTC6W81Z7DS2WCQ7/morris+warhol+detail_web.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>Installation view of Matt Morris paintings + Andy Warhol polaroids, 2017 Three One on Ones, curated by Magalie Guérin McAninch Arts Center, Glen Ellyn, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333571410-C8KPDM4SJLWT2VCC5XRW/fae.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>Fae, 2015 Oil, wax, and glitter nail polish on linen on panel 12” x 16”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333952611-HBX3L8PDIS9GUC8UL2RU/stacylaynematthews.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
      <image:caption>Stacy Layne Matthews, Gender Warrior, 2015 oil and wax on linen on panel 12" x 16.25"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1534968972341-TMZAPIZIJC4VLB3CV0QY/monochrome+thumbnail_fagnes+martin.jpg</image:loc>
      <image:title>MONOCHROMES</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.mattmorrisworks.com/madame-web</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596332940903-9PUBAR20ORTSU2P9WTN6/image-asset.jpeg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Large Check: 5, 1987, 2016, casein on mahogany, 24" x 20"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333127810-NCR6WX40GG6A07THT4SG/image-asset.jpeg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Large Check: 11, 1999, 2017 Oil on oak, 20 1/4" x 6 1/2"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596332755253-39TOBV0SFY8Z2HOV1EVM/two+inch+stripes+7.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Untitled (Two Inch Stripes #7), 1986, 2016, casein on mahogany, 24" x 20"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596332995529-4AGNWHOVRD3CY0IG0VWI/large+check+10.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Large Check: 10, 1987, 2016, casein on mahogany, 24" x 20"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596332811848-JHWRTT06TRCS5YJ1TQYW/two+inch+stripe.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Untitled (Two Inch Stripes), 1986, 2016, casein on mahogany, 24" x 20"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596332604646-HC0JO4M6WPT4DD6JU1HH/broad+stripe+8.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Untitled (Broad Stripe: 8), 1985, 2016, casein on mahogany, 24" x 20"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333144962-8U7LGLC08OLTO24VN8A3/image-asset.jpeg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Large Check: 12, 1999, 2017 Oil on oak, 20 1/4" x 6 1/2"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333019759-U91BAOGU01Q34EIXBKU3/large+check+set_web.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Installation view of Large Check paintings, 2017 Oil on oak, six panels, each 20 1/4" x 6 1/2"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333107797-LAWP5I1OT649UD4XD1RI/large+check+10_web.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Large Check: 10, 1999, 2017 Oil on oak, 20 1/4" x 6 1/2"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596332784541-6QD1EV3WC9E38ZTLFL8I/two+inch+stripe+12.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Untitled (Two Inch Stripes) #12, 1986, 2016, casein on mahogany, 24" x 20"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596332965895-A6ZLI72VUAFT2QXGR7IN/large+check+7.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Large Check: 7, 1987, 2016, casein on mahogany, 24" x 20"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333090473-1FGTOOUTUE4TFV6UIZSB/image-asset.jpeg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Large Check: 9, 1999, 2017 Oil on oak, 20 1/4" x 6 1/2"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596332631698-69VHGCU3GHLPXEFWXRR5/broad+stripe+6.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Untitled (Broad Stripe: 6), 1985, 2016, casein on mahogany, 24" x 20"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596332911326-DVNGWASN3XBPXRMR1Q4P/large+check+3.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Large Check: 3, 1987, 2016, casein on mahogany, 24" x 20"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333045743-32DK24X18XWR27GRLAFE/large+check+7_web.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Large Check: 7, 1999, 2017 Oil on oak, 20 1/4" x 6 1/2"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596333072021-7GRLGPORRWO022JVQSZ6/large+check+8_web.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Large Check: 8, 1999, 2017 Oil on oak, 20 1/4" x 6 1/2"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596332446301-IBD6824BU8AS0T7Z76F6/MM_install_03_wp-fs.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Installation view of Madame Web, 2018, ADDS DONNA, Chicago, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596332417150-MU8DEGKVYWK5TAPJ5R1X/MM_install_05_wp-fs.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Installation view of Madame Web, 2018, ADDS DONNA, Chicago, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596332696300-MIHGLF2IMK84HNP1KS9H/check+2.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Untitled (Check 2), 1985, 2016, casein on mahogany, 24" x 20"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596332860660-9BXWTKOIB255U9JA5ID2/thin+stripe+12.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
      <image:caption>Thin Stripe #12, 1986, 2016, casein on mahogany, 24" x 20"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1480567126068-4MOYVSWH1RA52HX7SSBE/sherrie+stripe+button.jpg</image:loc>
      <image:title>MADAME WEB</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.mattmorrisworks.com/perfect-kiss</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336036057-J3MB9V7JGGL451EIDEAI/the+rose+table+of+perfect_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>James Lee Byars The Rose Table of Perfect, 1989 3,333 red roses, Styrofoam IVAM, Institut Valencià d’Art Modern</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336505739-B7YNDNXVPUO4OJRSND04/good+enough+kiss_install_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Installation view of The Perfect Kiss (QQ)* *questioning, queer, On wall: Matt Morris’ The Good Enough Kiss, 2014, iridescent watercolor on Gaylord archival tissue paper; In vitrine: James Lee Byars’ Crumpled pink tissue letter, date unknown, ink on tissue paper, two parts, and James Lee Byars’ Pink scroll letter, 1977, graphite on toilet paper, Collection of Michael Lowe and Kimberly Klosterman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336461831-F4EDW0VCBLE1WHUN3E7T/byars_large+pink_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>James Lee Byars Pink letter, ca. 1982 Gold crayon on pink Japanese paper Collection of Michael Lowe and Kimberly Klosterman *w*i*t*h*o*u*t* *y*o*u* *t*h*e* *p*e*r*f*e*c*t* *k*i*s*s* *w*o*u*l*d* *n*e*v*e*r* *h*a*v*e* *e*x*i*s*t*e*d*</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336540275-J9B1180P9IRKMR9CPR2R/goodenoughkiss2_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Matt Morris The Good Enough Kiss, 2014 Iridescent watercolor on Gaylord archival tissue paper five sheets To paraphrase a letter psychoanalyst Donald Winnicott wrote to Roger Money-Kyrle in 1952: I am often thought to be talking about kisses as if they were perfect or as if they were corresponding to “the good kiss” which parallels Melanie Klein’s jargon. Actually I always talk about “the good-enough kiss” or “the not good-enough kiss” because in point of fact we are talking about actual kisses, we know that the best they can be is good enough, and the word “enough” gradually (in favourable circumstances) widens in scope according to one’s growing ability to deal with failure by understanding, toleration of frustrations, etc. The “good kiss” and the “bad kiss” coming from Kleinian jargon are internal objects and are nothing to do with real kisses. The best a real kiss can do with someone is to be sensitively good enough….</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596335888256-3UEWBMJF2EEPKZOYROOR/install5_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Installation view of The Perfect Kiss (QQ)* *questioning, queer, Foreground: James Lee Byars’The Rose Table of Perfect, 1989, 3,333 red roses, Styrofoam</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336265928-BBIILQERZYWO54I84J15/silver+behind_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>James Lee Byars behind, 1984 Detail view Tan paper with silver print Pencil on four sheets from a fourteen-page letter Installed with silver ink registration marks on wall Collection of Michael Lowe and Kimberly Klosterman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336961853-E81SISKORVKH8FROL0BD/festoon+members+lounge_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Matt Morris Festoon Drape (A Room of One’s Own), 2015 Ruched grey voile curtains Installed for limited viewing in the Member’s Lounge at the Contemporary Arts Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336348877-9G3OI7NNN1R65OO99UMP/silver+dad+and_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>James Lee Byars dad/and, 1984 Detail view Tan paper with silver print Pencil on four sheets from a fourteen-page letter Installed with silver ink registration marks on wall Collection of Michael Lowe and Kimberly Klosterman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336413826-80MHIWA3K9CNSGVV3PF4/byars+heart+framed1_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>James Lee Byars White heart tissue letters, ca. 1970 crayon on white tissue, two sheets Collection of Michael Lowe and Kimberly Klosterman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336210042-1A604EFL9BTV051D41XL/silver+install2_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>James Lee Byars behind, rose/these, dad/and, top, 1984 Tan paper with silver print Pencil on four sheets from a fourteen-page letter Installed with silver ink registration marks on wall Collection of Michael Lowe and Kimberly Klosterman Arrange whatever pieces come your way. –Virginia Woolf. Diary entry for Saturday, September 5,1925</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336696780-92XS24HXXLX5NF5OGEIV/ellenheadcomposite1.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>James Lee Byars The Perfect Kiss, 1974 Performance Performer enters gallery, stands and moves their lips almost imperceptibly for several seconds, then exits Jumex Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336064533-SRS0FUQI88CQC5KXP5H2/thisthishimthem_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Matt Morris this this him them, 2015 Inkjet print mounted onto Sintra Two rose quartz sphere given to the artist by his twin, photographed and enlarged to the scale of James Lee Byars’ This This, 1985, a sculpture currently in the collection of Mr. and Mrs. Leonard Korman, Fort Washington, PA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336578699-EV555NZCXJDOOVLGFI32/goodenoughkiss5_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Matt Morris The Good Enough Kiss, 2014 Iridescent watercolor on Gaylord archival tissue paper five sheets</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336127253-6GBGXRBP8U5FYZ37Z1A1/coat_detail1_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Cristobal Balenciaga Evening coat, ca. 1960 Pale pink silk shantung gazar The Ohio State University Historic Costume and Textiles Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336370131-13K4AH4Z9NB7YF6Q7TF9/silver+top_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>James Lee Byars dad/and, 1984 Detail view Tan paper with silver print Pencil on four sheets from a fourteen-page letter Installed with silver ink registration marks on wall Collection of Michael Lowe and Kimberly Klosterman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336828203-3PR3FMBUKKLT861Y64WA/ribbons_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Matt Morris I’ll be wearing ribbons down my back this summer, 2015 Photograph made in the Contemporary Arts Center on May 4, 2015 with preparator Reid Radcliffe Inkjet print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596335783935-S3V76Q3ZGEMN0QP4LK33/festoon4_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Matt Morris Festoon Drape (for James, Robert, Zaha, Steven, and Eric), 2015 Ruched grey voile curtains Installed for public viewing at the entrance of the Lower 2 Gallery at the Contemporary Arts Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336874835-7S9V1VI531NE1PIKOUPL/install9_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Installation view of The Perfect Kiss (QQ)* *questioning, queer, From left: Matt Morris’ The Good Enough Kiss, 2014, iridescent watercolor on Gaylord archival tissue paper; Matt Morris’ Cerebra (Lucinda) and Cerebra (Yvonne), 2015, ruched satin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336153670-SCTMSQG35VHXE0G95VYR/byars_pink+circle_framed_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>James Lee Byars Pink circular tissue letter, 1980 Ink on pink tissue, feather Collection of Michael Lowe and Kimberly Klosterman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336306354-OHFRCKAQFMBWKIDANBOQ/silver+roses+these_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>James Lee Byars rose/these, 1984 Detail view Tan paper with silver print Pencil on four sheets from a fourteen-page letter Installed with silver ink registration marks on wall Collection of Michael Lowe and Kimberly Klosterman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336761458-IOFN6RY68QEG7C87CBNC/archive+VI_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Matt Morris archive VI, 2015 All of the vases from Morris’ personal collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336724470-QZFF9BXYCC4J1NEBICJL/goodenoughkiss_detail5_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Matt Morris The Good Enough Kiss, 2014 Iridescent watercolor on Gaylord archival tissue paper five sheets, detail view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596335918011-W11XB3VBGTV48DZ9QP3T/byars+in+venice+install_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>James Lee Byars, Venice, c. 1980. Photo courtesy University of California, Berkeley Art Museum and Pacific Film Archive, gift of Morgan Thomas. Inkjet print on Mohawk Carnival + Via, Cool White Vellum 100T, wood, kiss patterned washi tape</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336432063-4IQJNOB0KO8N1YR3CXY9/image-asset.jpeg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>James Lee Byars White heart tissue letters, ca. 1970 crayon on white tissue, two sheets Collection of Michael Lowe and Kimberly Klosterman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336007649-AOZ7RBDWJ70689N4H235/festoon2_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Matt Morris Festoon Drape (for James, Robert, Zaha, Steven, and Eric), 2015 Ruched grey voile curtains Installed for public viewing at the entrance of the Lower 2 Gallery at the Contemporary Arts Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336088037-UBCUVLZMHR3ESGLO45R5/coat+and+tail_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Cristobal Balenciaga Evening coat, ca. 1960 Pale pink silk shantung gazar The Ohio State University Historic Costume and Textiles Collection During the 1960s, dancers in Byars’ performances were outfitted in combinations of haute couture and unique designs he concocted with his tailor in New York’s Chinatown who went by the name Mr. North South. Garments by celebrated fashion designers Cristobal Balenciaga and Pierre Cardin were included in such works as a performance with Taki Sachiko in Kyoto in 1962, with Yvonne Rainer at Green Gallery in New York in 1963, and with Lucinda Childs at the Carnegie in Pittsburgh in 1965. James Lee Byars Pink silk tail, 1970 Pink silk Collection of Michael Lowe and Kimberly Klosterman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336904223-LJGYQL1PFSVHU67KZTHR/cerebra1_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Matt Morris Cerebra (Lucinda), 2015 ruched satin Matt Morris Cerebra (Yvonne), 2015 ruched satin I must interrupt here to say that “X” is what exists within me. “X” – I bathe myself in that this. It’s unpronounceable. Everything I don’t know is in “X.” Death? Death is “X.” But a lot of life, too, for life is unpronounceable. “X” that trembles within me, and I fear its diapason… I hope you live “X” so you can experience the kind of creative drowsiness that slumbers through the veins. “X” is neither good nor bad. It always independs. But it only happens for what has a body. Although immaterial, it needs our body and the body of the thing. There are objects which are that total mystery of “X.” Like what vibrates mutely. The instants are shattered fragments of “X”… Is the “X” the breath of the it? –Clarice Lispector. The Stream of Life. Translated by Hélène Cixous. Minneapolis: University of Minnesota Press, 1989. Pp. 65–66.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596336851490-91NQNAZGN3KBJMHWJ0T3/ribbons_install_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Installation view of Matt Morris’ I’ll be wearing ribbons down my back this summer, 2015, Inkjet print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596335814044-O21NHZ1M3EEDBGGG8DT5/install7_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Installation view of The Perfect Kiss (QQ)* *questioning, queer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596335977359-W3ITNILZT6IOUGU011ZY/festoon_detail3_web.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
      <image:caption>Matt Morris Festoon Drape (for James, Robert, Zaha, Steven, and Eric), 2015 Ruched grey voile curtains Installed for public viewing at the entrance of the Lower 2 Gallery at the Contemporary Arts Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1453946235342-8ZQX7ABKPPA2DT4AWVZB/4.jpg</image:loc>
      <image:title>THE PERFECT KISS (QQ)*</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.mattmorrisworks.com/im-issue-im-free</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596432768329-LWFYWEYPJTR5LCJ3ZQ6E/Morris115.jpg</image:loc>
      <image:title>I'M ISSUE; I'M FREE</image:title>
      <image:caption>ground floor perfumery, 2014 latex, acrylic on gallery wall, 96" x 144"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596432907438-YKHESXYJXL504DMFVTCV/morris_velvet1_web.jpg</image:loc>
      <image:title>I'M ISSUE; I'M FREE</image:title>
      <image:caption>Velvet Bitten by a Man, 2014 velvet, 22" x 18"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596432791665-I2JPI89ALL5CAZ6UIFH1/morris_twinkles+library1_web.jpg</image:loc>
      <image:title>I'M ISSUE; I'M FREE</image:title>
      <image:caption>twinkle’s library, 2014 velvet ribbon, cast pewter, glass, Parker Bros. Clue: The Great Museum Caper board game, iPhone photos taken of art reproductions in Matt Morris’ personal library, paperboard, recreation of a pillow belonging to Morris’ father, folding table lent to the exhibition by Seth Hunter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596432704271-IALBRTREX230VEC4G66R/image-asset.jpeg</image:loc>
      <image:title>I'M ISSUE; I'M FREE</image:title>
      <image:caption>Installation view of i'm issue; i'm free, PEREGRINEPROGRAM, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596432857760-4ERU0E66EFQW1J6BKYFS/morris_twinkles+library6.jpg</image:loc>
      <image:title>I'M ISSUE; I'M FREE</image:title>
      <image:caption>twinkle’s library, 2014, (detail view), velvet ribbon, cast pewter, glass, Parker Bros. Clue: The Great Museum Caper board game, iPhone photos taken of art reproductions in Matt Morris’ personal library, paperboard, recreation of a pillow belonging to Morris’ father, folding table lent to the exhibition by Seth Hunter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596432830466-2EGUO9NP31NJ0AFVQT2D/image-asset.jpeg</image:loc>
      <image:title>I'M ISSUE; I'M FREE</image:title>
      <image:caption>twinkle’s library, 2014, (detail view), velvet ribbon, cast pewter, glass, Parker Bros. Clue: The Great Museum Caper board game, iPhone photos taken of art reproductions in Matt Morris’ personal library, paperboard, recreation of a pillow belonging to Morris’ father, folding table lent to the exhibition by Seth Hunter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596432736534-WPTTQZLW6QFD2GMXF02N/Morris118.jpg</image:loc>
      <image:title>I'M ISSUE; I'M FREE</image:title>
      <image:caption>i’m issue, 2014 photograph made at PEREGRINEPROGRAM on April 30, 2014 with gallery co-director Jon Waites, archival inkjet print on vinyl, 12" x 18"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1453948211094-RQZX5KD2CNAN6ADM8VW5/morris_ground+floor+perfumery_thumbnail.jpg</image:loc>
      <image:title>I'M ISSUE; I'M FREE</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.mattmorrisworks.com/the-revolt-of-the-violet</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-02</lastmod>
    <image:image>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
    </image:image>
    <image:image>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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    <image:image>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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    <image:image>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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    <image:image>
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      <image:title>THE REVOLT OF THE VIOLET</image:title>
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  </url>
  <url>
    <loc>http://www.mattmorrisworks.com/pearlmatt-matt</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596432500192-YNPDQCYKFU46KP92DPLO/image-asset.jpeg</image:loc>
      <image:title>PEARLMATT MATT</image:title>
      <image:caption>open closets, 2013 On March 4, 2013, the artist and a drag queen named Pearl became friends. Together they selected a faux fur coat and a lace trimmed satin dressing gown from among Pearl’s wardrobe that were hung in the Mary &amp; Leigh Block Museum’s coat closet for the duration of Clownflâneur.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596432536656-NB62SW6NEG7RU0EEQCVC/image-asset.jpeg</image:loc>
      <image:title>PEARLMATT MATT</image:title>
      <image:caption>Installation view of CLOWNFLÂNEUR, Mary &amp; Leigh Block Museum of Art, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596432434524-7LH0VP5ZYI15QH29OWYG/image-asset.jpeg</image:loc>
      <image:title>PEARLMATT MATT</image:title>
      <image:caption>matt james, 2013 On April 8, 2013, the artist and James Geier became friends. James lent the photograph Man Ray made with Marcel Duchamp, to the artist. Man Ray Polaroid Photograph of Marcel Duchamp in Blond Wig, c. 1950s 15.5" x 12.75" framed. 3.5" x 2.5" unframed. Collection Mr. and Mrs. James Geier, Chicago, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596432460202-W9LB4M3ICFYJANVYX7FL/image-asset.jpeg</image:loc>
      <image:title>PEARLMATT MATT</image:title>
      <image:caption>pearlmatt matt, 2013 archival digital print on adhesive vinyl 40" x 50"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596432565849-D2LN6DNH5X6BXL6QMVYJ/image-asset.jpeg</image:loc>
      <image:title>PEARLMATT MATT</image:title>
      <image:caption>Installation view of CLOWNFLÂNEUR, Mary &amp; Leigh Block Museum of Art, 2013</image:caption>
    </image:image>
    <image:image>
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      <image:title>PEARLMATT MATT</image:title>
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  <url>
    <loc>http://www.mattmorrisworks.com/blue-mirror</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596337228783-Q4KPW2IP3K5TV9X79Z78/ribbons+install1_web.jpg</image:loc>
      <image:title>BLUE MIRROR</image:title>
      <image:caption>I’ll be wearing ribbons down my Ben this bamf, 2017 Photograph made in Obst on March 23, 2017, with former gallery co-director Ben Regozin Installation view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596337273784-MOPGUJJL13F7D5692MGR/angel_web.jpg</image:loc>
      <image:title>BLUE MIRROR</image:title>
      <image:caption>Impression of Angel, 2017 Instyle Fragrances™ spray cologne imitation of Mugler Angel perfume</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596337298579-D29SXV9A4UZUE43FQPD1/rough+patches1_web.jpg</image:loc>
      <image:title>BLUE MIRROR</image:title>
      <image:caption>Rough Patches, 2017 Orthoptic eye patches, puffy paint, glitter glue, graphite</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596337183345-HW0OX9KYPFRY319HVREF/ribbons+down+my+ben.jpg</image:loc>
      <image:title>BLUE MIRROR</image:title>
      <image:caption>I’ll be wearing ribbons down my Ben this bamf, 2017 Photograph made in Obst on March 23, 2017, with former gallery co-director Ben Regozin Inkjet print</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596337139225-7RWUMEVFGIYCDKKX4BMR/blue+mirror+install1_web.jpg</image:loc>
      <image:title>BLUE MIRROR</image:title>
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      <image:title>BLUE MIRROR</image:title>
      <image:caption>Truth or Dare, 2017 Pocket knife given to the artist by his paternal grandfather, Thierry Mugler silk wool jacket, plastic landscape rock</image:caption>
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      <image:caption>This Is Not a Blue Bottle, 2017 Blown and molded glass bottle made by Risa Recio for the artist</image:caption>
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      <image:title>BLUE MIRROR</image:title>
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    <loc>http://www.mattmorrisworks.com/stettheimer-sisters</loc>
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    <lastmod>2020-08-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596335609932-8CNBCQUUROASMYU1M4RC/TSA+installation+view2_web.jpg</image:loc>
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  <url>
    <loc>http://www.mattmorrisworks.com/perfume-1</loc>
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    <lastmod>2019-07-09</lastmod>
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  <url>
    <loc>http://www.mattmorrisworks.com/regime</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-03-28</lastmod>
  </url>
  <url>
    <loc>http://www.mattmorrisworks.com/caa-perfume</loc>
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    <lastmod>2018-03-30</lastmod>
  </url>
  <url>
    <loc>http://www.mattmorrisworks.com/splitsville-smells-like-irises</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596334304033-M23PQNX9HV6UHBY6OEZ8/Splitsville_21.jpg</image:loc>
      <image:title>SPLITSVILLE SMELLS LIKE IRISES</image:title>
      <image:caption>Matt Morris: Splitsville smells like irises, 2018 Tiger Strikes Asteroid, Brooklyn, NY Installation view, including works by Christopher Backs, Lise Haller Baggesen, Rashayla Marie Brown, Angela Davis Fegan, Alejandro Jiménez Flores, Lee Godie, Kelly Lloyd, James Morris, Aay Preston Myint, Alan Reid, Paul Mpagi Sepuya, and Clara Ursitti.</image:caption>
    </image:image>
    <image:image>
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      <image:title>SPLITSVILLE SMELLS LIKE IRISES</image:title>
      <image:caption>Matt Morris: Splitsville smells like irises, 2018 Tiger Strikes Asteroid, Brooklyn, NY Detail view, including works by Rashayla Marie Brown, Angela Davis Fegan, and James Morris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596334231560-ICORXTMJ5J2DZM2M1XAQ/Splitsville_15.jpg</image:loc>
      <image:title>SPLITSVILLE SMELLS LIKE IRISES</image:title>
      <image:caption>Matt Morris: Splitsville smells like irises, 2018 Tiger Strikes Asteroid, Brooklyn, NY Installation view, including works by Christopher Backs, Lise Haller Baggesen, Rashayla Marie Brown, Angela Davis Fegan, Alejandro Jiménez Flores, Lee Godie, Kelly Lloyd, James Morris, Aay Preston Myint, Alan Reid, Paul Mpagi Sepuya, and Clara Ursitti.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596334354512-PGRMCGOZVC2AJPWUCGMS/Splitsville_19.jpg</image:loc>
      <image:title>SPLITSVILLE SMELLS LIKE IRISES</image:title>
      <image:caption>Matt Morris: Splitsville smells like irises, 2018 Tiger Strikes Asteroid, Brooklyn, NY Detail view of Angela Davis Fegan’s 26 handmade prints from the lavender menace poster project, 2014–2018, letterpress, laser cut text, menstrual blood, dry pigments, rubber based ink on handmade and commercial papers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596334399162-6DZT8O31F4R8T4ZR61DV/Splitsville_06.jpg</image:loc>
      <image:title>SPLITSVILLE SMELLS LIKE IRISES</image:title>
      <image:caption>Matt Morris: Splitsville smells like irises, 2018 Tiger Strikes Asteroid, Brooklyn, NY Detail view, including works by Rashayla Marie Brown, Angela Davis Fegan, Alejandro Jiménez Flores, James Morris, and Paul Mpagi Sepuya.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596334261510-CCKXG224JIJXXBA5MFMA/Splitsville_20.jpg</image:loc>
      <image:title>SPLITSVILLE SMELLS LIKE IRISES</image:title>
      <image:caption>Matt Morris: Splitsville smells like irises, 2018 Tiger Strikes Asteroid, Brooklyn, NY Installation view, including works by Christopher Backs, Lise Haller Baggesen, Rashayla Marie Brown, Angela Davis Fegan, Alejandro Jiménez Flores, Lee Godie, Kelly Lloyd, James Morris, Aay Preston Myint, Alan Reid, Paul Mpagi Sepuya, and Clara Ursitti.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596334154578-23Q1V2YNSAETA14CIAU4/Splitsville_12.jpg</image:loc>
      <image:title>SPLITSVILLE SMELLS LIKE IRISES</image:title>
      <image:caption>Matt Morris: Splitsville smells like irises, 2018 Tiger Strikes Asteroid, Brooklyn, NY Installation view, including works by Christopher Backs, Lise Haller Baggesen, Rashayla Marie Brown, Angela Davis Fegan, Alejandro Jiménez Flores, Lee Godie, Kelly Lloyd, James Morris, Aay Preston Myint, Alan Reid, Paul Mpagi Sepuya, and Clara Ursitti.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1596334204014-N1R8Q28TWJ7WFZNBY8G7/Splitsville_16.jpg</image:loc>
      <image:title>SPLITSVILLE SMELLS LIKE IRISES</image:title>
      <image:caption>Matt Morris: Splitsville smells like irises, 2018 Tiger Strikes Asteroid, Brooklyn, NY Installation view, including works by Christopher Backs, Lise Haller Baggesen, Rashayla Marie Brown, Angela Davis Fegan, Alejandro Jiménez Flores, Lee Godie, Kelly Lloyd, James Morris, Aay Preston Myint, Alan Reid, Paul Mpagi Sepuya, and Clara Ursitti.</image:caption>
    </image:image>
    <image:image>
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      <image:title>SPLITSVILLE SMELLS LIKE IRISES</image:title>
      <image:caption>Matt Morris: Splitsville smells like irises, 2018 Tiger Strikes Asteroid, Brooklyn, NY Installation view, including works by Christopher Backs, Lise Haller Baggesen, Rashayla Marie Brown, Angela Davis Fegan, Alejandro Jiménez Flores, Lee Godie, Kelly Lloyd, James Morris, Aay Preston Myint, Alan Reid, Paul Mpagi Sepuya, and Clara Ursitti.</image:caption>
    </image:image>
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      <image:title>SPLITSVILLE SMELLS LIKE IRISES</image:title>
      <image:caption>Matt Morris: Splitsville smells like irises, 2018 Tiger Strikes Asteroid, Brooklyn, NY Detail view of Clara Ursitti’s Jeux de Peau (Sketch no. 1), 2012, hand blown and etched glass bottles holding 10 ml of different fragrances. One containing the Serge Luten fragrance Jeux de Peau, and another the scent from a skin analysis.</image:caption>
    </image:image>
    <image:image>
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      <image:title>SPLITSVILLE SMELLS LIKE IRISES</image:title>
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  <url>
    <loc>http://www.mattmorrisworks.com/i-am-always-in-the-excesses</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2025-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/5ee26baa-0830-461b-8cba-d3fd9244c074/SacredWholeDocumentation-068.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Jacquelin Zazueta + Matt Morris  Visit Paris, Arkansas Today! Home of the Erotique Mermaidenhead’s Topless Cigar Waterdance Grotto, 2024 3D printed PLA, rayon fibers, potpourri of dried and dyed botanicals scented with fait main eau de toilette Fragrance notes: aldehydes, ash, violet, orris absolute, steam-distilled French lavender, smoking permitted gambling floor, accord in the style of Belle Époque Parisian perfume, Atlas cedar, Virginia cedar, leather upholstered swivel chairs, synthetic civet, castoreum, pretty oud, creamy musks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/5520474c-5282-47ea-aceb-a8a3d63961eb/morris_+The+Women+%28ringl%C2%A0%2B+pit.+Soapsuds%2C+1930%29%2C+2024.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (ringl + pit. Soapsuds, 1930), 2024 oil on Belgian linen over panel 36" x 32”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/b1200040-a63e-4d30-8507-fc0fb65fd433/morris1.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Bâton My Aesthetic Dimensions (Hussy), 2024 digital print on ruched satin detail view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/3af325d5-7493-4bbb-a820-65b738ea2a81/usugumo+wall_detail+4.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Powder Room Dining Room, a Ladies' Room (Usugumo Wall), 2025 latex wall painting, digitally printed satin, brocade, polyester, metal hardware, fiberboard, waxed thread, stale marshmallows, feathers, scented powder 99” x 306” x 22” detail view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566952862875-HBG2NS0RPMWSHZRVBA10/hysteria_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Hysteria, 2015 Ruched pink chiffon curtain</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566952473805-C3BNVEXMKNMRB8PAQ2H2/morris_perfume.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>FROM LEFT: Nick Hill, Model’s Changing Room, Painting Studio Fourth Floor North, 2017 Parfum, vial Fragrance notes: Neroli, lily, celery seed, Saint John’s Wort, jasmine, immortelle, palo santo, labdanum, vetiver, sandalwood, vanilla, soft musk Tony the Guard, Freight Elevator, 2017 Parufm, vial Fragrance notes: Sweat, milk, toasted grain, toffee, grease, locker room, labdanum, synthetic ambergris, cedar, civet, musk Alex Schempp, Lower Level Lavatory, 2017 Parfum, vial Fragrance notes: Apricot, hedione, cherry blossom, body, sugar, pear, citrus, ylang ylang, fenugreek, hay, tuberose, vetiver, synthetics, powdery musk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/24f77983-8944-407a-970d-b18106d04bc1/morris_you+were+an+old+lady+and+a+young+lady+and+a+very+little+girl+%E2%80%93+hilst%2C+2024_1.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>you were an old lady and a young lady and a very little girl  –  hilst, 2024 porcelain</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/8ae2a460-2484-42c2-a8c4-8c3e62c19599/morris_The+Women+%28Lee+Miller.+Dreaming+of+These%2C+1942_Eileen+Agar.+by+a+harbour%2C+1934%29%2C+2024.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Lee Miller. Dreaming of These, 1942 / Eileen Agar. by a harbour, 1934), 2024 oil and crystal appliqués on Belgian linen stretcher fabricated by Phil Spangler 56” x 88”</image:caption>
    </image:image>
    <image:image>
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      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>LEFT: The Women (Grete Stern. Sueño No. 16 Sirena del Mar, 1948) – For Tori Amos, Siren. i, 2024 oil on Belgian linen on panel 17.75” x 23” RIGHT: The Women (Grete Stern. Sueño No. 16 Sirena del Mar, 1948) – For Tori Amos, Siren. ii, 2024 oil on Belgian linen on panel 17.75” x 23” Installation view, Designing Women, ILY2, Portland, OR, 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/c4cba20e-f169-4622-8f91-f793be949f39/_RCH1945_v2v3_web.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Poudres de Lanvin (Yubaba), 2023 Oil on linen 116” x 90”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/cb855465-2cca-4d1f-940e-671f5857fd27/morris_postscript1.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Postscript, 2022 13ml eau de toilette, fluted glass atomizer, inkjet prints on laid paper, foil embossed satin ribbon, paper coffret Perfumes gifted to exhibiting artists and gallery; subsequent open edition blended by hand to order Fragrance notes: iris, violet, persian ‘sweetie’ rose, damp magazines, bittering hops, rum ether, scales from butterfly wings, carrot seed, curatorial correspondences, cacao dusted bonbons (in a green room) (in a lavender lavender room), licorice, musks + Company Brewing, The Green Gallery, and Matt Morris. The Postscript, 2022 8oz dark saison, 9% abv, with notes of orris root, violet, barley, yeast, hops, raspberry The Postscript perfume and beer served as a kind of curator’s statement, response, and prompt for discourse in The Scripts Found in a Bottle, Found in a Can, Found in a Discourse (Les Scripts Trouvés dans une Bouteille, Trouvés dan une Canette, Trouvés dans un Discours) at the Green Gallery, Milwaukee, WI, May 19 – July 2, 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/59c91185-ddab-4eec-ab53-6d4ed63e354e/usugumo+wall_detail.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Matt Morris. Powder Room Dining Room, a Ladies' Room (Usugumo Wall), 2025 latex wall painting, digitally printed satin, brocade, polyester, metal hardware, fiberboard, waxed thread, stale marshmallows, feathers, scented powder 99” x 306” x 22” with artworks included by Cat Bowyer, Judith Brotman, Molly Roth Scranton, and Sharon Zhang installation view</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/7bfad314-44a6-439c-899e-7fc562cdf3bd/two+inch+stripes+10.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Untitled (Two Inch Stripes) #10, 1985, 2023 Casein on mahogany 24” x 20”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566865963799-AZJTSKGXRBFXGRMXNOJX/Splitsville_04.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Matt Morris: Splitsville smells like irises, 2018 Tiger Strikes Asteroid, Brooklyn, NY Installation view, including works by Christopher Backs, Lise Haller Baggesen, Rashayla Marie Brown, Angela Davis Fegan, Alejandro Jiménez Flores, Lee Godie, Kelly Lloyd, James Morris, Aay Preston Myint, Alan Reid, Paul Mpagi Sepuya, and Clara Ursitti.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566952732521-HN6OUY3AEJG72O1NF8JJ/goodenoughkiss4_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>The Good Enough Kiss, 2014 Iridescent watercolor on Gaylord archival tissue paper, five sheets</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/78a60b35-215c-4cf5-a599-009da04ee7df/morris_baba+yaga.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Baba Yaga, 2021–2023 Hand blended eau de parfum, 30ml Glass flacon, pigmented concrete, resin, spray atomizer Perfume bottle developed in collaboration with Matt Joynt and COURTESAN Fragrance notes: saltwater taffy, vetiver, elemi, patchouli, Siberian rhododendron, swamp witch</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566869442713-BB9ULOJMJXZMPP15DP8P/baggesen_photograph.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Lise Haller Baggesen Refusenik at the Office, Chicago, November 2017, 2017 digital color print Included in Matt Morris: Splitsville smells like irises, 2018 Tiger Strikes Asteroid, Brooklyn, NY</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566867722564-FR8XWNWV4UH6GTNW4SKD/large+check+set_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Installation view of Large Check paintings, 2017 Oil on oak, six panels, each 20 1/4" x 6 1/2"</image:caption>
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      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Lured, 1947, Dir Douglas Sirk.  starring Lucille Ball, 102 min), 2022 Oil and wax on Belgian linen over poplar panel, 12” x 16”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/fa685990-2645-48b2-a932-7e2d324c79f4/morris_l%27autre+commande+f%C3%A9minine+de+bonbons+incendi%C3%A9s+de+rubis1.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>L'autre Commande Féminine de Bonbons Incendiés de Rubis Sarah (daughter plant), Rachel (mochi), Ingrid (fury), Carmen (criminelle), 2022  four eau de toilettes in porcelain display, glass flacons, pigmented concrete, resin, spray atomizers, cotton batting, silk ribbon, marabou feathers Perfume bottles developed in collaboration with Matt Joynt and COURTESAN Porcelain display developed with support from Ike Floor and GnarWare Workshop Produced in collaboration with Shannon Bool for Musée de la Fraise, Berlin, Germany, 2022 Sarah (daughter plant) In Louisiana where Morris grew up, strawberries are a growing $8.7 million industry, celebrated with annual festivals and field trips for school children. Sarah draws from very personal childhood memories of the fruit picked and eaten directly from the field. A wobble between sweetness and tartness, sun warmth, green as well as the flush of red fruit. Directly juicy. Rachel (mochi) Qualities of camp, artifice, dress up, and frivolity are conjured with Rachel, which addresses the long traditions of strawberry applied to confectionary uses. Inspired by mochi balls, milkshakes, and artificially flavored candies, Rachel compliments a strawberry accord with fluffy heliotrope and vanilla, milk and butter extracts, honey, and touches of blood orange and raspberry.  Ingrid (fury) Distortion, deception, and successions of signals aimed at manipulating perception through appearance and smell, with a nod to Cukor’s 1944 thriller starring Ingrid Bergman, Ingrid is a strawberry set aflame, smoldering among toasted spices and incense. Opoponax, frankincense, and myrrh, cardamom, coriander, clove, as well as several types of pepper that register more floral and fruity than hot and spicy, are brought together as a fiery bouquet in which strawberry is situated. Smoky vetiver and benzoin finish off the blend, suggesting the fruit as a radiant ember.          Carmen (criminelle) The most experimental of the group, Carmen is a strawberry born of both flora and fauna. Hyraceum and an aldehyde derived from cumin—which shares many chemical attributes with the scent of human sweat—are among the materials used to suggest a bodily landscape in which languishing fruit occurs. The sun ripened sweet rot smell of immortelle coaxes Carmen toward a state of gentle, masticated decay. Issuing from these collapsed berries are the distinctly metallic aspects associated with blood. Carmen is suggestive of a crime scene, even one invented in personal fantasy, centered on bloodied fruit.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1567005750237-FZ7WLIV66UK02PC2AUQW/_N2A7832.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>A Soldier, a Magician, and Two Figures Watching a Burning Skull, 2016 Oil on linen on three panels, text on lithograph edition, digitally printed satin, sequins, wood, satin cord, flaming skull wine bottle holder, 2014 Barbera d’Alder Viola Wine Cellars Installation view at Cherry | Lucic. Photography by Cristin Norine.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566868539383-59CKL1O7J4TC32ZZ7LF6/identity+value_copycat+killer_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Installation view of John Knight's Identity Value and Matt Morris' Copycat Killer, 2017, Julius Caesar, Chicago, IL</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/82a4dc56-6fa6-41f2-ae11-1e0ee2a110db/ILY2-Designing-Women-022-web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>LEFT: The Women (Grete Stern. Sueño No. 16 Sirena del Mar, 1948) – For Tori Amos, Siren. iii, 2024 oil on Belgian linen on panel 17.75” x 23” RIGHT: The Women (Grete Stern. Sueño No. 16 Sirena del Mar, 1948) – For Tori Amos, Siren. iv, 2024 oil on Belgian linen on panel 17.75” x 23” Installation view, Designing Women, ILY2, Portland, OR, 2024</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/b80dcf69-eafe-4da8-be21-a73c41496a02/morris_auntiecedent+after+cathy+guisewite+no+16_17_2023%3A25.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>LEFT: Auntiecedent (After Cathy Guisewite) No. 16, 2023 soft pastel on laid paper in painted artist frame sheet: 12” x 9” framed: 16” x 13” RIGHT: Auntiecedent (After Cathy Guisewite) No. 17, 2023 soft pastel on cotton laid paper in painted artist frame sheet: 12.25” x 9” framed: 16.25” x 13”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/b204756f-5b9d-4d30-830b-185aaf13a0d2/152_web.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (‘Harley’s Holiday,’ Batman: The Animated Series. Dir Kevin Altieri, Written by Paul Dini and Jean MacCurdy. Air date: October 15, 1994), 2022 Oil on Belgian linen over poplar panel 12” x 16”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632946695032-1ZE9C1OTLDQ3G3RFJG26/the+women+dita+in+distress+1999+dir+christina+faust+starring+dita+von+teese+87+min_japanese+paper+flowers.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Dita in Distress, 1999, Dir Christina Faust.  starring Dita von Teese, 87 min) – Japanese paper flowers, 2021 Encaustic, antique Japanese paper flowers, strawberry glycidate aromachemical on Belgian linen over poplar panel, 12” x 16”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/12c656e3-d65e-476a-895b-f524db827b54/130_web.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Dita in Distress, 1999, Dir Christina Faust.  starring Dita von Teese, 87 min) – Lez Ice Cream Parlour, 2023 Encaustic, satin silk ribbons, rhinestones, on Belgian linen over poplar panel 12” x 16”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566865473046-RIJDOF5TGKTHBFSAQXL5/thin+stripe+12.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Thin Stripe #12, 1986, 2016, casein on mahogany, 24" x 20"</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1567006256852-PBZQ6VKXZKSPBZRMDU8D/morris_ground+floor+perfumery1_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>ground floor perfumery, 2014 latex, acrylic on gallery wall, 96" x 144"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566867828458-OJ21YFNP0TJ4POPCYV3Y/is+that+a+holiday_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Is that a Holiday?, 2015 oil on linen on panel 12” x 16”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566869636754-N3N8EYH3UCZWEQC3T3OH/the+just+dessert2_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>The Just Dessert, 2017 Limited edition Eau de Parfum in recovered Devon milk glass Fragrance notes: sugared violet, marshmallow, fizz, powder, last bites, root of orris, roof of mouth, heavy cream, jasmine, labdanum, dried petals, yeast, benzoin, vanilla, musk, dust, residue of text works written for the perfume by Reid Drake, Kelsey Harrison, Evan Kleekamp, and Rhonda Wheatley</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/a8367888-166c-4778-a74e-14573203edc9/morris_fountain.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Fountain, 2024 oil on linen on birch panel, gathered silk taffeta, sterling silver earrings with inset vintage art glass  40” x 36”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566869802380-JD9AAAV4DBSATHJLN62H/archive+VI_detail_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Matt Morris. archive VI, 2015 All of the vases from Morris’ personal collection</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/5d8a20aa-ec8c-4f5c-b0da-8782bdf8be12/_DSC1692-HDR_matt_morris_ruschman_nov_2024.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>violet sissy fleur pinkie installation view Ruschman November 2024</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566869729525-D2N3SN28N95K4330ZWSG/archive+VI_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Matt Morris. archive VI, 2015 All of the vases from Morris’ personal collection</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/97a27388-7f1d-4713-ab27-e1b6af160bf2/_DSC0737_space%2Btime_oct_2024.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>FROM LEFT TO RIGHT: Bâton My Aesthetic Dimensions (Coquette), 2024 digital print on ruched satin Bâton My Aesthetic Dimensions (Floozy), 2024 digital print on ruched satin Bâton My Aesthetic Dimensions (Grisette), 2024 digital print on ruched satin Bâton My Aesthetic Dimensions (Harlot), 2024 digital print on ruched satin</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632946417098-5MV89U9H0OO25RR5DK5I/the+women+dita+in+distress+1999+dir+christina+faust+starring+dita+von+teese+87+min_stettheimer+strokes_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Dita in Distress, 1999, Dir Christina Faust.  starring Dita von Teese, 87 min) – Stettheimer Strokes, 2021 Oil on Belgian linen over poplar panel, 12” x 16”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/52dd2baf-83ab-4062-a970-fcb526d9f6f9/two+inch+stripes+6.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Untitled (Two Inch Stripes) #6, 1986, 2023 Casein on mahogany 24” x 20”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566867612503-9CS8PRDMWHJI61FYSX8Z/large+check+5_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Large Check: 5, 1987, 2016, casein on mahogany, 24" x 20"</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566869542818-TJSVSQC1479ETJ4YRGT5/Splitsville_12.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Matt Morris: Splitsville smells like irises, 2018 Tiger Strikes Asteroid, Brooklyn, NY Installation view, including works by Christopher Backs, Lise Haller Baggesen, Rashayla Marie Brown, Angela Davis Fegan, Alejandro Jiménez Flores, Lee Godie, Kelly Lloyd, James Morris, Aay Preston Myint, Alan Reid, Paul Mpagi Sepuya, and Clara Ursitti.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/35b192c5-1eb6-42a6-9ee4-684ac41e890d/_RCH1912_v2v3_web.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Poudres de Lanvin (Zeniba), 2023 Oil on linen 116” x 90”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566866710057-PLCF3520Y9JUZXM3BQYW/TROTV_preus_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566866215703-Z87VJSUDF3GNVRWSCQQY/jouissance_ii.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>jouissance, 2015 oil on linen on panel 11.75" x 16.25"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1569957662598-1HE719NXP9ZNV0L8TSEF/bramson_morris_install+view+1.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Installation view of PHYLLIS BRAMSON + MATT MORRIS at The Suburban, Milwaukee, WI. September 28–November 2, 2019</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/6ce69242-584e-4ec8-aa1d-397b7711877f/morris_auntiecedent+after+cathy+guisewite+no+11_2023%3A25.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Auntiecedent (After Cathy Guisewite) No. 11, 2023 soft pastel on paper in painted artist frame sheet: 12” x 9” framed: 16” x 13”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1569957691597-ENC1BMX0HLVWYK0N84RH/bramson_morris_install+view+2.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Installation view of PHYLLIS BRAMSON + MATT MORRIS at The Suburban, Milwaukee, WI. September 28–November 2, 2019</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1601139515676-XLH18WOC0YTYDPY2Z4AH/Morris_The+Return+of+the+Gorgon+Sylvia+%28from+sex+cop+captivity%29_2018-19.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>The Return of the Gorgon Sylvia (from sex cop captivity), 2018-19 Oil on linen over aluminum and poplar panel Panel fabricated by Andrew Tyson 23" x 48" x 3/4"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/9afbdac5-a874-43c4-9ba1-bac4835a8f84/112_web.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Grete Stern. Botella del Mar (Sueño No. 5), for Idilio Magazine, 1945), 2023 Oil on linen over panel 19.4" x 24"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/f76ef149-fe60-46f0-8502-2904fb5e1f51/morris_powdered+milk+no.+9_pe%CC%82che+puce+women_2025.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Powdered Milk No. 9 (Pêche Puce Women), 2025 pink heart bubble wrap, silk, rayon, vintage metallic trim, double sided satin ribbon, waxed thread, beading thread, marabou feathers, cotton batting, dowel, MDF panel, hot glue 27” x 10 1/2” x 3 3/4”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566868169100-0QRE03UM3EE7D9ND3YQE/sisters_head+of+medusa_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Sisters, 2016–ongoing Oil, acrylic, and mixed media on canvas and panel Selection of paintings of paintings by Florine Stettheimer</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632946329579-O4B2FF0PEUEVASWJENJ8/the+women+dita+in+distress+1999+dir+christina+faust+starring+dita+von+teese+87+min_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Dita in Distress, 1999, Dir Christina Faust.  starring Dita von Teese, 87 min), 2021 Encaustic, antique silk and velvet millinery appliqués, strawberry glycidate aromachemical on Belgian linen over poplar panel 12” x 16”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566866154683-IP38IZ4067M9DF9595KY/fagnes+martin.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Fagnes Martin, 2015 Watercolor and colored pencil on linen on panel 12” x 16”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566865245652-FPQDUYZ2VAR0P7JRM2V1/madame+web1.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>LEFT TO RIGHT: Untitled (Two Inch Stripes #7), 1986, 2016, casein on mahogany, 24" x 20" Untitled (Two Inch Stripes) #12, 1986, 2016, casein on mahogany, 24" x 20"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/075a62a2-d022-431f-9c4f-87d9f12915ed/121_web.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Romulus and Remus, 1995, 2023 Acrylic on two mahogany panels Each panel 28” x 21”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566865605507-YKDZRGREE7CK3GZIN646/two+inch+stripe.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Untitled (Two Inch Stripes), 1986, 2016, casein on mahogany, 24" x 20"</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632946224219-3AG1S64B56M4EVWMFIZ7/eve+kills+god+and+doubts+her1.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Eve Kills God and Doubts Her, 2020 Petah Coyne Above and Beneath the Skin. Authors Douglas Dreishpoon, Nancy Princenthal, Eleanor Harvey. Buffalo: Albany-Know Art Gallery, 2005, found in the closet of the artist’s father six months after his death, antique velvet ribbons, embroidery floss, jeweler’s wire, nail varnish, pale pink artificial tree Dimensions variable</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/fcb131af-9abc-42cd-9ffc-c767cbe595ca/morris_the+women_dita+in+distress%2C+1999%2C+Dir+Christina+Faust.+starring+Dita+von+Teese%2C+87+min_boudoir+department+store+dream+sequence_2023.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Dita in Distress, 1999. Dir Christina Faust, starring Dita von Teese, 87 min) – Boudoir Department Store Dream Sequence, 2023 encaustic, plastic doll furniture, on Belgian linen over poplar panel, 12h x 16w x 3d in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632946800665-ESGAN89HLM6E17O0ATL2/Morris_The+Women+%28Laura+Schawelka.+Detail+of+Untitled+%28Floor%29%2C+2019%2C+TENDER%2C+fiebach%2C+minninger_2021_oil+on+linen+over+panel_panel+fabricated+by+Kazuki+Sabasti%C3%A1n+Guzman_27+1%3A2in+x+19+5%3A8in.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Laura Schawelka. Detail of Untitled (Floor), 2019, TENDER, fiebach, minninger, 2021 Oil on linen over panel Panel fabricated by Kazuki Sabastián Guzman 27 1/2” x 19 5/8”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566868845658-616OQBV479C8MYZFXIQT/the+sorceress.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>The Sorceress, 2015 Red dress sewn by the artist's twin, Michael J. Morris, as costuming for a dance entitled Shades of the Edged Existence which Michael choreographed and presented in 2007, 94" in diameter</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1567005854075-439XUI0GR70IOOWFRXN3/_N2A7857.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>A Soldier, a Magician, and Two Figures Watching a Burning Skull, 2016 (detail view) Oil on linen on three panels, text on lithograph edition, digitally printed satin, sequins, wood, satin cord, flaming skull wine bottle holder, 2014 Barbera d’Alder Viola Wine Cellars Installation view at Cherry | Lucic. Photography by Cristin Norine.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/883bdd0b-ba39-4fe1-882f-e12ba5eaa7be/_DSC1665_matt_morris_ruschman_nov_2024.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>violet sissy fleur pinkie installation view Ruschman November 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/7d3e5aea-cd28-498a-88b5-709331108f6c/105_web.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Madame Yevonde. Madame Yevonde as Harlequin, 1923–1925), 2023 Oil and wax on linen over panel 19.5" x 24"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566865708236-O8XTRCIJF261RUBNSAU4/03_Have+You+Seen+This+Boy%3F.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Have You Seen This Boy?, 2018 Flyer distributed on street posts in Chicago and on Internet social media platforms, dimensions variable</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/173fd79d-9e56-478b-b7ce-117101cfbb26/ILY2-Designing-Women-015-web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Designing Women: Melanie Flood + Matt Morris ILY2, Portland, OR, 2024 installation view</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566869068409-GP78GOTGUQNNOR26SSPV/coat+and+tail_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>LEFT TO RIGHT: Cristobal Balenciaga. Evening coat, ca. 1960, Pale pink silk shantung gazar The Ohio State University Historic Costume and Textiles Collection James Lee Byars. Pink silk tail, 1970, pink silk Collection of Michael Lowe and Kimberly Klosterman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/762e280f-2108-4ad4-969d-5fb17f9b1b35/Damenklub+Violetta.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Damenklub Violetta, 2024 flashe on Belgian linen over aluminum panel with poplar cradle installation view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632946557683-FFDJPZ9TVE2S31CW15KJ/the+women+dita+in+distress+1999+dir+christina+faust+starring+dita+von+teese+87+min_blush+flower+grid_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Dita in Distress, 1999, Dir Christina Faust.  starring Dita von Teese, 87 min) – Blush Flower Grid, 2021 Encaustic, antique silk and velvet millinery appliqués, strawberry glycidate aromachemical on Belgian linen over poplar panel 12” x 16”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566952970396-EZJI5RFE52XSGS5H3H2E/Morris63.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Bâton Violet Révoltant, 2013/2018 Ruched satin</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/79ce93f7-e0f6-4aa3-bbd1-f1dba6b98c7d/Ishiuchi+Miyako.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Ishiuchi Miyako. Frida by Ishiuchi #39, 2013), 2024 oil, silk fiber rosettes ca. 1800s on Belgian linen over aluminum panel with poplar cradle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566868288789-1WF6L8TWK7KAIL7BCLJD/sisters_a+model_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Sisters, 2016–ongoing Oil, acrylic, and mixed media on canvas and panel Selection of paintings of paintings by Florine Stettheimer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1601139667479-9TQCUW8WGJCU2X1W1BQT/Morris_Predator.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Predator, 2019–20 Oil and mica on linen over panel Panel and canvas fabricated by Kazuki Sabastián Guzmán and Eric Ruschman 71 7/8” x 47 7/8”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/8f97e2d2-2985-4db2-9a68-63aba04c9fde/powder+room+dining+room+a+ladies+room_install+view.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Powder Room Dining Room, a Ladies' Room an installation by Matt Morris with accompanying works by Cat Bowyer, Judith Brotman, Marylu Herrera, Maddie May, Molly Roth, Sharon Zhang installation view SkyART WEST, 2025</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566867999739-9LNVDDX8ZC94SGF3PD4A/061217_CleveCarney_042.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Installation view of Matt Morris paintings + Andy Warhol polaroids, 2017 Three One on Ones, curated by Magalie Guérin McAninch Arts Center, Glen Ellyn, IL</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/52e7f21a-6124-42f4-9225-20c6e3b094d6/morris_you+were+an+old+lady+and+a+young+lady+and+a+very+little+girl+%E2%80%93+hilst%2C+2024_6.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>you were an old lady and a young lady and a very little girl  –  hilst, 2024 porcelain detail view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/49ad5aed-2697-4202-b368-b41c1aad539a/morris_+The+Women+%28Laura+Aguilar.+Storm%2C+ca.+2006%29%2C+2024.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Laura Aguilar. Storm, ca. 2006), 2024 oil and sequin appliqués on Belgian linen on panel 19” x 13”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/629cf642-838f-4ed3-90f6-971de3c39bad/madame+web.png</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Madame Web (of Mascara), after June Tarpé Mills, 1941, 2024 oil on Belgian linen on panel 12” x 16”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/ce1c5685-b7bd-48d4-8ea5-2f54be1e9ce9/094_web.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Grete Stern. Sueños de Ajedrez (No. 109), for Idilio Magazine, 1948), 2023 Oil on linen over panel 30" x 23"</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566868081250-WQOBHGVGP34LUAZQ08IY/sisters_fleurs_installation+view_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Sisters, 2016–ongoing Oil, acrylic, and mixed media on canvas and panel Selection of paintings of paintings by Florine Stettheimer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566864637088-SBMOPD8BMNJGNIAWD1F9/morris_batons.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>FROM LEFT TO RIGHT: Baton Peintures (For and After Marcia Hafif), 2018 Digital print on ruched satin; cut glass; dried flower petals; Feminité du Bois eau de parfum, designed for Shiseido by Pierre Bourdon, Serge Lutens, and Christopher Sheldrake in 1992 Baton My First Slide Lecture After the 2016 Presidential Election, Part I, 2018 Digital print on ruched satin Baton Bearer of the Rose (Sarah Bastress, Lynda Benglis, Louise Fishman, Angela Dufresne, Angela Davis Fegan, Magalie Guérin, Harmony Hammond, Roni Horn, Dorrie Lane, Agnes Martin, Luis Mejico, Ayanah Moor, Carrie Moyer, Ulrike Müller, Zoe Nelson, Alex Peyton-Levine, Puppies Puppies, Lisi Raskin, Erika Rothenberg, Amy Sillman, Joan Snyder, Florine Stettheimer, Ruby Thorkelson, Millie Wilson, Molly Zuckerman-Hartung), 2018 Digital print on ruched satin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/400ad235-4864-4671-8b24-834003ca0e18/morris_+The+Women+%28Melanie+Flood.+Notions+2%2C+2020%29%2C+2024.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Melanie Flood. Notions 2, 2020), 2024 oil on Belgian linen on panel 16” x 12”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566869395708-Z5E4NEZKB8WCF623PCVP/Morris85.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>matt james, 2013 On April 8, 2013, the artist and James Geier became friends. James lent the photograph Man Ray made with Marcel Duchamp, to the artist. Man Ray Polaroid Photograph of Marcel Duchamp in Blond Wig, c. 1950s 15.5" x 12.75" framed. 3.5" x 2.5" unframed. Collection Mr. and Mrs. James Geier, Chicago, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566952796962-M7400UY87OTW3X95IHDQ/goodenoughkiss_detail5_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>The Good Enough Kiss, 2014, (detail view) Iridescent watercolor on Gaylord archival tissue paper, five sheets</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632946744166-0KZSVWVRHS481U97A8VV/the+women+dita+in+distress+1999+dir+christina+faust+starring+dita+von+teese+87+min_oil_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Dita in Distress, 1999, Dir Christina Faust.  starring Dita von Teese, 87 min), 2021 Oil on Belgian linen over poplar panel, 12” x 16”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1601139944840-VCS4PYJJTGYWBEUOGNQX/Morris_The+Predator_2019.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>The Predator, 2019–20 Oil on linen over panel Panel and canvas fabricated by Kazuki Sabastián Guzmán and Eric Ruschman 71 7/8” x 47 7/8”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566868239063-SJCWKTLGMO8BOXZJT6OM/TSA+installation+view3_web2.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Sisters, 2016–ongoing Oil, acrylic, and mixed media on canvas and panel Selection of paintings of paintings by Florine Stettheimer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1601139908988-CDGDZFBL5SDSIAKA7LRG/Morris_Predators_2019.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Predators, 2019–20 Oil on linen over panel Panel and canvas fabricated by Kazuki Sabastián Guzmán and Eric Ruschman 71 7/8” x 47 7/8”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/ffb42a19-20f0-4faa-bd49-18fecdb760a6/morris_patter+wand+no+8.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Powdered Milk No. 8 (and she swirls and she swirls and she swirls / yes, let’s go raspberry swirl), 2025 digitally printed satin, polyester fabric, moiré taffeta ribbon, silk satin ribbon, antique velvet ribbon, freshwater pearls, Swarovski crystal, miniature glass perfume bottle with plastic cap, waxed thread, beading thread, marabou feathers, cotton batting, dowel, MDF panel, hot glue 31” x 11” x 3 1/2”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566867092129-U9BHFIVGQD6J1ONBPLTT/morris_advanced+potions1.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Matt Morris. Advanced Potions, 2019 Perfumes, family, potions, essences, spells, elixirs, chosen family, tinctures, anointing oils, casein paint medium, friendships, social networks, velvet, foam Display fabricated by Christopher Lee Hare Image courtesy of the DePaul Art Museum 1. Twelve anointing oils that Matt Morris’ father, Butch Morris, received as a gift six months before he died in June 2018. In the 1980s, Butch’s Baptist church split over disagreements about whether fragrant anointing oils used for prayer was doctrinally sound. He and his family joined a new church where the use of these oils was integral to religious practices. 2. Catalina Ouyang. death drive joy ride elixir assembled by Matt Morris based on a recipe that Ouyang's mother, Jie Li, inherited from her own parents. E jiao (donkey hide gelatin), Cabernet Savignon, rock sugar, chrysanthemum, hibiscus, noble dendrobium flowers, hawthorn berries, cordyceps mushrooms, white fungus, ginseng, ginger, dried jujubes, shan zha pian (hawthorn candies), rosemary, lychee jelly 3. Michael J. Morris. Love spell, 2018. Patchouli, almond, musk, vanilla, cinnamon. Formula based on spell in Phyllis Curott’s The Love Spell: An Erotic Memoir of Spiritual Awakening. New York: Gotham Books, 2005. 4. Josh Dihle. Casein paint medium, hand-mixed March 2019 Cottage cheese, water, ammonia 5. Babs Forever Yours perfume bottle, ca. 1930s, New York 6. Rhonda Wheatley. Cure Bottle for self-misconception. Brings one’s consciousness into soul-level awareness of the self, 2019 Found perfume bottle, pink sand, pink Himalayan salt, lavender, helichrysum flowers, calendula flowers, moss, other dried flower petals. 7. Kiam Marcelo Junio / Mahal Healing Arts. Personalized aromatherapy blend gifted to the artist, December 2018 Camellia Seed (Camellia oleifera), Jojoba (Simmondsia chinensis), Baobab (Adansonia digitata), Grapefruit (Citrus paradisi), French Lavender (Lavendula angustifolia officinalis), Co-distilled Neroli and Petitgrain (Citrus aurantium var. amara), Frankincense (Boswellia serrata), Cypress (Cupressus sempervirens), Australian Sandalwood (Santalum spicatum), Immortelle (Helichrysum italicum), Atlas Cedarwood (Cedrus atlantica), Rosemary (Rosmarinus officinalis), Gardenia-Agarwood Attar (Gardenia jasminoides, Aquilaria malaccensis), pyrite, amethyst. 8. Dori Midnight. Boundaries in a Bottle. Witchcrafted with essences of yarrow, spider full moon, rosemary, echinacea, cedar, black tourmaline, citrine, smoky quartz, snowflake, obsidian, stone circle and salt. Essential oils of pine and cedar. Provides radiant protection, clearing, and grounding. Dori Midnight practices community-based intuitive healing that weaves plant and stone medicine, ancestral and queer magic, and justice work. 9. Liz Moores. Angelique, Eau de Parfum for Papillon Artisan Perfumes, 2014 Fragrance notes: Iris Pallida, Osmanthus, French mimosa, White champac, Orris, Virginian cedarwood, Frankincense The window in Matt Morris’ childhood bedroom in Baton Rouge, Louisiana opened onto a flowerbed that contained an abundance of irises and an osmanthus tree his mother planted (also known as the sweet olive tree).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566867929710-ZS529IQIF5I6HM60PA9I/morris+warhol+install.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Installation view of Matt Morris paintings + Andy Warhol polaroids, 2017 Three One on Ones, curated by Magalie Guérin McAninch Arts Center, Glen Ellyn, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566865022912-6RQ6J824REXZXLY8LBNE/pretty+soldier_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Pretty Soldier, 2016 Digital print on ruched satin</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1601139584117-O10PDDEEMMIF6BI2VF5E/Morris_One+night+a+cloud+passed+over+the+moon_2019.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>One night a cloud passed over the moon, 2019 Oil on linen over aluminum and poplar panel Panel fabricated by Andrew Tyson 46" x 48" x 3/4"</image:caption>
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      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>I’ll be wearing ribbons down my back this summer, 2015 Photograph made in the Contemporary Arts Center on May 4, 2015 with preparator Reid Radcliffe Inkjet print</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566868736740-ICH4PKAM5CNWDTM8YC0M/truth+or+dare1_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Truth or Dare, 2017 Pocket knife given to the artist by his paternal grandfather, Thierry Mugler silk wool jacket, plastic landscape rock</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632946863966-UFN8LU5RH3U82DO7DM93/Morris_The+Women+%28Florence+Henri.+Jeanne+Lanvin+Perfume+%28Advertising+Photograph%29%2C+1929_2021_oil+on+linen+over+panel_panel+fabricated+by+Kazuki+Sabasti%C3%A1n+Guzman_28+6%3A8in+x+22+6%3A8+in.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Florence Henri. Jeanne Lanvin Perfume (Advertising Photograph), 1929, 2021 Oil on linen over panel Panel fabricated by Kazuki Sabastián Guzman_28 6/8in x 22 6/8 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1601139856298-7B9K8GRGOK5L9HRZN899/Morris_Predator+2_2019.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Predator 2, 2019–20 Oil on linen over panel Panel and canvas fabricated by Kazuki Sabastián Guzmán and Eric Ruschman 71 7/8” x 47 7/8”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566867427303-81JCUIY6CHRRLDFRBYLD/install5_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Installation view of The Perfect Kiss (QQ)* *questioning, queer, Contemporary Arts Center, Cincinnati, OH, 2015 Foreground: James Lee Byars’The Rose Table of Perfect, 1989, 3,333 red roses, Styrofoam</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/014ecfcd-8d88-4836-a705-d2b2c59e974e/morris_fresh+widow.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Fresh Widow, 2024 oil on linen on birch panel, gathered silk taffeta, sterling silver earrings with inset vintage art glass  40” x 36”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566866072862-0EX2MZAGJ7QQHJWH74V9/other+otter.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Other Otter, 2014 Oil and wax on linen on panel 12” x 16”</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566868652427-XF929XE1TUVK5C07R1JZ/ribbons+down+my+ben.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>I’ll be wearing ribbons down my Ben this bamf, 2017 Photograph made in Obst on March 23, 2017, with former gallery co-director Ben Regozin Inkjet print</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/41d351ec-9c25-423d-a93e-03edcea0a137/i+work+in+a+market+as+a+checkout+girl%C2%A0+%E2%80%93%C2%A0++i+had+a+feeling+that+i+belonged%C2%A0+%E2%80%93%C2%A0+dream+girl_2024.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>i work in a market as a checkout girl  –  i had a feeling that i belonged  –  dream girl, 2024 flashe, antique moire ribbon, porcelain, perfumed powder on Belgian linen over aluminum panel with poplar cradle 89” x 43”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566869029144-JHGZXSAK8VA9PV0FWEXM/dan2_print_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>The White Queen, 2015 Custom harness and collar commissioned by Matt Morris, designed and created by Randall Hill for Dan Sullivan, co-director of The Franklin. Dan wears the harness during the opening reception of Finocchio, after which point it is displayed in the gallery. Following the close of the exhibition, Dan receives the harness and collar as gifts from the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632957533742-PG48E1J4G1I4DLM58H9K/paint+my+some+black+angels+composite+for+website_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Paint me some black angels now, 2020–ongoing Soft pastel on paper The title of these works is a lyric from a ballad protesting racial discrimination written in 1948 by legendary Mexican actor and singer Pedro Infante. It was immortalized in a rendition in English by Eartha Kitt.  The image in these works references a cosmetic rice powder advertisement that appeared on the cover of a 1929 issue of Le Sourire magazine.  These drawings are made out of adoration and love for the many Black femme people who have been my role models, inspirations, and guides, and out of concern for the history of the ways race and gender have been represented by white artists historically.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1a7b45dd-d232-4951-aab1-8c936e3792b3/043_web.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>The Women (Barbara Yoshida. Beauty and the Beast: Six Beauties —  Untitled #714, 1992, in Collaboration by Petah Coyne and Irene Hultman,  Artists Space, New York, NY, May 24-25, 1992), 2023 Encaustic and antique dyed and glazed straw millinery applique on linen over panel 23" x  16"</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1566867559000-4JSJNX43GHL3M1AMYAMZ/large+check+7_web.jpg</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES</image:title>
      <image:caption>Large Check: 7, 1987, 2016, casein on mahogany, 24" x 20"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/134eba9e-016c-41ac-a7ec-d1203ebe20ec/morris2.JPG</image:loc>
      <image:title>I AM ALWAYS IN THE EXCESSES - Make it stand out</image:title>
      <image:caption>Bâton My Aesthetic Dimensions (Hussy), 2024 digital print on ruched satin detail view</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.mattmorrisworks.com/curating</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632960478809-V6EFSTD8PQRQN51CKERB/Casting_Inside_04.jpg</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632981453609-TKR13DSXPC9LHLW2KEB0/kilman_install1.jpg</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/7c423acd-aed7-4de8-8461-0dd160048874/014_zachary_rawe_install.JPG</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/248c965b-dc74-47af-b401-ca15c3b30333/005_RUSCHWOMAN_Melanie_Flood_Install.JPG</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632980007776-CC2B548WU0T1U34XW9TV/2017_GOLDFINCH_28.jpg</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/3a12a32d-f060-4e49-8715-fb0d979524f4/002_RUSCHMAN_Bells_For_Her_Install.JPG</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/23a4bb5d-b3d2-4ae8-a833-61541042385c/027_RUSCHWOMAN_baguette_install.JPG</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/a9e52341-75b1-4d71-b95d-e7e4ce5ca98d/005_Surekha_RUSCHWOMAN_Install.JPG</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632981012810-8WHIS5LAJMFDIFB9PX58/141212-7405_web.jpg</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/fa5c4e3b-4817-4ae1-891c-2412cf2ccaa2/8b077861fc2c680a6c6b8072c27e9be8.jpeg</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632980628738-6AUDNPRUZ0I80QXMMH5B/IMG_0638.jpg</image:loc>
      <image:title>CURATING</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632959636793-2QII42OXJYQ4IZCVWEA9/057_v2.JPG</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/ad44ce06-f695-4e11-a5e6-920b846a0e60/028_Lise_Baggesen_Install.JPG</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/4434e549-f70e-450c-ac7c-078031c470ad/045_Bonnie_Lucas_Girl_with_Purse_RUSCHWOMAN_Install.JPG</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632959453756-VAPK3I13VCR1W0TBZE8I/speculative+magenta+hauntology.jpg</image:loc>
      <image:title>CURATING</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632960787047-GY1HOF95Z4FJF445XKGW/APL2.jpg</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/66935528-bb7f-4e66-9ccf-90da94dcd356/029_RUSCHWOMAN_Box_of_Paints_Install.JPG</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632979809153-6RZ6UJFFA4UPRC7YP4NC/36909221150_2294fd32c4_o.jpg</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/21e03474-f76e-4f79-9af7-a34720451ec9/exhibition+title+image.png</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1632960132121-GSRW5PJY79I3YWSAALVR/Decorientation_Installation_15.jpg</image:loc>
      <image:title>CURATING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.mattmorrisworks.com/violet-sissy-fleur-pinkie</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/2bcda59b-05b0-49b6-a769-5f20876cc505/morris_Mrs.+Estelle+Lestrange_2024_2.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>Mrs. Estelle Lestrange, 2024 dyed marabou feathers, duck down, perfumed powder, porcelain, vintage silk ribbon (gift from Laurie Stern), silk ribbon, rayon satin ribbon, Bvlgari ribbon, digitally printed satin, vintage kimono silk, molded plastic bows, waxed thread, hot glue, polyfil, dowel, MDF panel reverse side</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/ec19cde8-3ed7-4b4a-a288-6d2e66c01cdd/morris_Mrs.+Estelle+Lestrange_2024_1.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>Mrs. Estelle Lestrange, 2024 dyed marabou feathers, duck down, perfumed powder, porcelain, vintage silk ribbon (gift from Laurie Stern), silk ribbon, rayon satin ribbon, Bvlgari ribbon, digitally printed satin, vintage kimono silk, molded plastic bows, waxed thread, hot glue, polyfil, dowel, MDF panel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/3b30a0ad-54cf-4d84-af38-761c32142f31/_DSC1592_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>violet sissy fleur pinkie installation view Ruschman November 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/31cbe5c4-c72d-41fe-b4d4-eccbf1d539a8/Damenklub+Violetta_detail.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>Damenklub Violetta, 2024 flashe on Belgian linen over aluminum panel with poplar cradle detail view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/0c24a33c-e937-477b-bf47-ae0307ee75af/_DSC1646_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>this is what makes us girls  –  white witch, 2024 flashe, antique silk appliqué on Belgian linen over aluminum panel with poplar cradle 89” x 43"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/27c74946-12f6-41f0-9557-7ea665182cde/morris_Grotto+to+the+Romantic+Avon+Calling+Grotto_2024_2.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>Grotto to the Romantic Avon Calling Grotto, 2024 novelty perfume bottles, glazed porcelain, polymer clay, silk, embroidery floss, digitally printed satin, polyfil stuffing, stolen nail varnish, plastic beauty counter doll furniture, plastic vanity doll furniture</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/97248005-8700-425b-8359-15096aef79a5/_DSC1601_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>even the moon crisis makeup! is wearing makeup  –  naruse, 2024 porcelain, glazed stoneware, vintage kimono silk, Mary Kay consultant Glamour Shade organizer tray ca. 1985, Odette Parfum Co. bubble mailers, satin digitally printed with detail view of Joe Brainard’s ‘If Nancy Was a Boy,’ 1972, polyfil stuffing, thread, tapered end false eyelashes on plastic backing, vintage velvet orchids, pleated and bound antique ribbon ornament</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/eb885298-399d-4b1c-b0d7-d1d19eb24bd1/morris_you+were+an+old+lady+and+a+young+lady+and+a+very+little+girl+%E2%80%93+hilst%2C+2024_1.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>you were an old lady and a young lady and a very little girl  –  hilst, 2024 porcelain</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/49378ca1-4539-4c30-b7b6-66122a14038c/morris_madame+de%E2%80%A6_2024_1.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>madame de…, 2024 porcelain, cosmetic brush bristles, Maybelline New York FIT ME blush in ‘Mauve,’ Sephora Colorful mat eyeshadow in ‘Strawberry Macaron’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/61fe577a-c47d-4364-88e9-25a390d46f18/_DSC1626_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>destroy, she sulked, 2024 reduced scale French windows, wood, adhesive vinyl lettering, hinges, miniature doorknobs, green latex paint matched to Rrose Sélavy’s 1920 sculpture Fresh Widow, gallery white latex paint, rose stained glass, porcelain, handmade paper collage by André Marin (Milkshake, 2021, handmade paper), cosmetic brush bristles, marabou feathers, antique dyed ostrich plumes, duck down, geisha coloring book pages with marker, satin pillows printed with images of copies of Florine Stettheimer’s A Model (Nude Self Portrait), ca. 1915, miniature Schiaparelli Shocking perfume bottle, miniature chaise lounges, miniature vanities, mother of pearl gambling chips, glass vial, Cathy figurine, Revlon powder blush in ‘Mauvelous,’ Vicky Tiel 1994 Sirene eau de parfum,  Valentina Poudre perfume bottle, Etat Libre d’Orange Putain de Palaces perfume bottle, bottle, parfum, ash, Chinese flowering jasmine tea gift from Matt Ryan, rice flour, corn starch, silk peptide powder, pink setting powder, translucent setting powder, candles, wax, Lisa Eldridge Velvet Blush Lightly lipstick, polymer clay, artificial pearls, glitter, iris incense, violet incense, rose incense, heliotrope incense, embossed oil cloth, velvet, silk, silk ribbon, rayon satin ribbon, sequins, glass beads, paper tablecloth, plastic, duct tape, stolen nail varnish, antique plastic comb with satin ribbonwork, plastic Mardi Gras king cake baby, Clue: The Great Museum Caper game piece, color laser print of collage by Sabrina Ward Harrison, color laser print of Antoine Watteau’s Pierrot (Gilles), c. 1718–1719, plastic cloche with antique silk chrysanthemum, porcelain beads stained with watercolor, makeup applicator sponge, Hermes blush compact applicator, underwear label, tissue paper, laminated corrugated paper board, polyfil, silver permanent marker, ink, waxed thread, collapsible sewing table  detail view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/e56904ab-29a1-447e-a07d-1bb8ce79d649/_DSC1630_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>destroy, she sulked, 2024 reduced scale French windows, wood, adhesive vinyl lettering, hinges, miniature doorknobs, green latex paint matched to Rrose Sélavy’s 1920 sculpture Fresh Widow, gallery white latex paint, rose stained glass, porcelain, handmade paper collage by André Marin (Milkshake, 2021, handmade paper), cosmetic brush bristles, marabou feathers, antique dyed ostrich plumes, duck down, geisha coloring book pages with marker, satin pillows printed with images of copies of Florine Stettheimer’s A Model (Nude Self Portrait), ca. 1915, miniature Schiaparelli Shocking perfume bottle, miniature chaise lounges, miniature vanities, mother of pearl gambling chips, glass vial, Cathy figurine, Revlon powder blush in ‘Mauvelous,’ Vicky Tiel 1994 Sirene eau de parfum,  Valentina Poudre perfume bottle, Etat Libre d’Orange Putain de Palaces perfume bottle, bottle, parfum, ash, Chinese flowering jasmine tea gift from Matt Ryan, rice flour, corn starch, silk peptide powder, pink setting powder, translucent setting powder, candles, wax, Lisa Eldridge Velvet Blush Lightly lipstick, polymer clay, artificial pearls, glitter, iris incense, violet incense, rose incense, heliotrope incense, embossed oil cloth, velvet, silk, silk ribbon, rayon satin ribbon, sequins, glass beads, paper tablecloth, plastic, duct tape, stolen nail varnish, antique plastic comb with satin ribbonwork, plastic Mardi Gras king cake baby, Clue: The Great Museum Caper game piece, color laser print of collage by Sabrina Ward Harrison, color laser print of Antoine Watteau’s Pierrot (Gilles), c. 1718–1719, plastic cloche with antique silk chrysanthemum, porcelain beads stained with watercolor, makeup applicator sponge, Hermes blush compact applicator, underwear label, tissue paper, laminated corrugated paper board, polyfil, silver permanent marker, ink, waxed thread, collapsible sewing table  detail view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/9e185dd5-2551-48f0-8394-c7b418cd62ab/_DSC1624_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>destroy, she sulked, 2024 reduced scale French windows, wood, adhesive vinyl lettering, hinges, miniature doorknobs, green latex paint matched to Rrose Sélavy’s 1920 sculpture Fresh Widow, gallery white latex paint, rose stained glass, porcelain, handmade paper collage by André Marin (Milkshake, 2021, handmade paper), cosmetic brush bristles, marabou feathers, antique dyed ostrich plumes, duck down, geisha coloring book pages with marker, satin pillows printed with images of copies of Florine Stettheimer’s A Model (Nude Self Portrait), ca. 1915, miniature Schiaparelli Shocking perfume bottle, miniature chaise lounges, miniature vanities, mother of pearl gambling chips, glass vial, Cathy figurine, Revlon powder blush in ‘Mauvelous,’ Vicky Tiel 1994 Sirene eau de parfum,  Valentina Poudre perfume bottle, Etat Libre d’Orange Putain de Palaces perfume bottle, bottle, parfum, ash, Chinese flowering jasmine tea gift from Matt Ryan, rice flour, corn starch, silk peptide powder, pink setting powder, translucent setting powder, candles, wax, Lisa Eldridge Velvet Blush Lightly lipstick, polymer clay, artificial pearls, glitter, iris incense, violet incense, rose incense, heliotrope incense, embossed oil cloth, velvet, silk, silk ribbon, rayon satin ribbon, sequins, glass beads, paper tablecloth, plastic, duct tape, stolen nail varnish, antique plastic comb with satin ribbonwork, plastic Mardi Gras king cake baby, Clue: The Great Museum Caper game piece, color laser print of collage by Sabrina Ward Harrison, color laser print of Antoine Watteau’s Pierrot (Gilles), c. 1718–1719, plastic cloche with antique silk chrysanthemum, porcelain beads stained with watercolor, makeup applicator sponge, Hermes blush compact applicator, underwear label, tissue paper, laminated corrugated paper board, polyfil, silver permanent marker, ink, waxed thread, collapsible sewing table  detail view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/e41c3d81-3812-4018-bc7a-81d334bdb03e/_DSC1682_matt_morris_ruschman_nov_2024.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>violet sissy fleur pinkie installation view Ruschman November 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/de84c321-4b0d-4e1f-a258-b11818be6794/_DSC1665_matt_morris_ruschman_nov_2024.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>AT CENTER: destroy, she sulked, 2024 reduced scale French windows, wood, adhesive vinyl lettering, hinges, miniature doorknobs, green latex paint matched to Rrose Sélavy’s 1920 sculpture Fresh Widow, gallery white latex paint, rose stained glass, porcelain, handmade paper collage by André Marin (Milkshake, 2021, handmade paper), cosmetic brush bristles, marabou feathers, antique dyed ostrich plumes, duck down, geisha coloring book pages with marker, satin pillows printed with images of copies of Florine Stettheimer’s A Model (Nude Self Portrait), ca. 1915, miniature Schiaparelli Shocking perfume bottle, miniature chaise lounges, miniature vanities, mother of pearl gambling chips, glass vial, Cathy figurine, Revlon powder blush in ‘Mauvelous,’ Vicky Tiel 1994 Sirene eau de parfum,  Valentina Poudre perfume bottle, Etat Libre d’Orange Putain de Palaces perfume bottle, bottle, parfum, ash, Chinese flowering jasmine tea gift from Matt Ryan, rice flour, corn starch, silk    peptide powder, pink setting powder, translucent setting powder, candles, wax, Lisa Eldridge Velvet Blush Lightly lipstick, polymer clay, artificial pearls, glitter, iris incense, violet incense, rose incense, heliotrope incense, embossed oil cloth, velvet, silk, silk ribbon, rayon satin ribbon, sequins, glass beads, paper tablecloth, plastic, duct tape, stolen nail varnish, antique plastic comb with satin ribbonwork, plastic Mardi Gras king cake baby, Clue: The Great Museum Caper game piece, color laser print of collage by Sabrina Ward Harrison, color laser print of Antoine Watteau’s Pierrot (Gilles), c. 1718–1719, plastic cloche with antique silk chrysanthemum, porcelain beads stained with watercolor, makeup applicator sponge, Hermes blush compact applicator, underwear label, tissue paper, laminated corrugated paper board, polyfil, silver permanent marker, ink, waxed thread, collapsible sewing table</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/10de0fa1-104d-40c3-b1cc-21267c70e0c9/morris_Grotto+to+the+Romantic+Avon+Calling+Grotto_2024_4.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>Grotto to the Romantic Avon Calling Grotto, 2024 novelty perfume bottles, glazed porcelain, polymer clay, silk, embroidery floss, digitally printed satin, polyfil stuffing, stolen nail varnish, plastic beauty counter doll furniture, plastic vanity doll furniture</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/3785e379-7c0a-4f23-a72e-1768db1728dd/_DSC1619_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>Garage to the Romantic McDonald’s Girl Toy Grotto, 2024 plastic figurine, glazed porcelain, antique miniature bottle of Caron French Cancan perfume from J Kent, satin appliqués, plastic pearl, silk ribbons, silk, embroidery floss, digitally printed satin, polyfil stuffing, plastic beauty counter doll furniture</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/7fd50af3-c892-400d-a32e-9d8b913c33cc/_DSC1614_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>women, world, whimsy, wonder  –  vaginal davis  –  it was a she named tuffy  –  viola davis, out of sight, soderbergh  –  only the chorines, bull daggers, aesthetical Negroes, lady lovers, pansies, and anarchists supported her experiments in living free. she was their avenging angel. only the wayward appreciated her riotous conduct; only they could discern the beautiful plot against the plantation she waged each and every day  –  saidiya hartman, 2024 porcelain, antique moire silk ribbon, custom MDF shelf</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/cb3987e7-92be-42c7-ae5a-bc60878aa249/_DSC1591_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>the obscene madame d – hilst, 2024 porcelain, cosmetic brush bristles, L’Oreal Paris Colour Riche Monos Eyeshadow in ‘Mademoiselle Pink’ installation view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/7c290e09-e2f1-4e07-806a-f29d56c55a89/_DSC1661-HDR_matt_morris_ruschman_nov_2024.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>violet sissy fleur pinkie installation view Ruschman November 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/1331a944-9685-455d-b1ce-5113786a0e5a/Damenklub+Violetta.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>Damenklub Violetta, 2024 flashe on Belgian linen over aluminum panel with poplar cradle installation view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/c3ac6aed-706d-40e2-85b0-c6782b0ed31d/morris_you+were+an+old+lady+and+a+young+lady+and+a+very+little+girl+%E2%80%93+hilst%2C+2024_5.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>you were an old lady and a young lady and a very little girl  –  hilst, 2024 porcelain back view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/c6d91325-e322-4cd7-a196-9b5d935de053/she%E2%80%99s+a+fantasist+you+know_detail.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>she’s a fantasist you know. that lady. hotel lobbies are full of them – duelle, 2024 porcelain, cosmetic brush bristles, BBIA powder cheek in ‘Powder Pink,’ Etat Libre d’Orange Putain de Palaces eau de parfum</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/db3481fd-18af-473b-a0c3-e06c734c842f/_DSC1696_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>There She Goes, 2024 reduced scale French windows, wood, adhesive vinyl lettering, hinges, miniature doorknobs, green latex paint matched to Rrose Sélavy’s 1920 sculpture Fresh Widow, gallery white latex paint, McDonald’s drink carriers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/0f96ccdc-d6f5-4974-957a-68465ecc4a50/mama+madame.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>mama madame, 2024 porcelain, cosmetic brush bristles, Revlon powder blush in ‘Mauvelous’ installation view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/b32dd42f-68b6-47ba-9cd1-9d797edb08fc/_DSC1673_matt_morris_ruschman_nov_2024.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>violet sissy fleur pinkie installation view Ruschman November 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/165b1104-f1db-4829-b248-7af2c53493ec/gay+block.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>The Women (Gay Block. Untitled (Brooch), 1994), 2024 oil, costume jewelry brooches, rice powder on Belgian linen over aluminum panel with poplar cradle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/0a68bf8c-c765-4a6d-9518-41bc55fa1819/silk+chiffon+silk+hotel+detail.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>silk chiffon silk hotel, 2024 velvet upholstered desk chair on casters, porcelain, makeup brush bristles, antique ostrich plume (gift from Emmy Bright), chicken feathers, dyed goose coquille, duck down, embroidery flosses, shards of mother of pearl shank buttons, Serge Lutens paper smelling strips, ABS plastic artificial nails with crystal ornaments, stolen nail varnish, oil paint, perfumed powder, incense ash, PVA glue, ground white hominy detail view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/472f603f-4320-4d19-a547-51a5383bb1fe/_DSC1668_matt_morris_ruschman_nov_2024.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>violet sissy fleur pinkie installation view Ruschman November 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/bf71b4f9-99c2-4d02-99a0-b11a30169463/_DSC1633_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>Homage to the Romantic Hellfire Club Grotto, 2024 plastic action figure, glazed porcelain, miniature white fishnet stockings, Dresden embossed foil paper witch, antique velveteen red heart, crushed Ambien, silk, embroidery floss, digitally printed satin, polyfil stuffing, plastic beauty counter doll furniture installation view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/17b5f968-93ae-44c9-9d3d-a69b6c45d536/_DSC1598_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>violet sissy fleur pinkie installation view Ruschman November 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/358633dd-67a6-4b57-ad63-b18c2d2e8d94/morris_you+were+an+old+lady+and+a+young+lady+and+a+very+little+girl+%E2%80%93+hilst%2C+2024_6.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>you were an old lady and a young lady and a very little girl  –  hilst, 2024 porcelain detail view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/c29a3871-d0b0-4663-a44a-4555a81afd3a/_DSC1612_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>LEFT: madame de…, 2024 porcelain, cosmetic brush bristles, Maybelline New York FIT ME blush in ‘Mauve,’ Sephora Colorful mat eyeshadow in ‘Strawberry Macaron’  RIGHT: women, world, whimsy, wonder  –  vaginal davis  –  it was a she named tuffy  –  viola davis, out of sight, soderbergh  –  only the chorines, bull daggers, aesthetical Negroes, lady lovers, pansies, and anarchists supported her experiments in living free. she was their avenging angel. only the wayward appreciated her riotous conduct; only they could discern the beautiful plot against the plantation she waged each and every day  –  saidiya hartman, 2024 porcelain, antique moire silk ribbon, custom MDF shelf</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/5cf480a1-7550-4b01-b20f-b089f5a68a79/Ishiuchi+Miyako.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>The Women (Ishiuchi Miyako. Frida by Ishiuchi #39, 2013), 2024 oil, silk fiber rosettes ca. 1800s on Belgian linen over aluminum panel with poplar cradle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/5de11283-22f2-426f-a4ee-3eeea5a6ca50/morris_Ms.+Scheherazade+Dalloway-Havisham_2024_6.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>Ms. Scheherazade Dalloway-Havisham, 2024 porcelain vase back view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/359ebc75-89e9-4457-9fac-fb6bf7296b11/yharnam%2C+pthumerian+queen+is+a+chalice+dungeon+boss%2C+and+adoration+for+soshiro+matsubara_2024.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>yharnam, pthumerian queen is a chalice dungeon boss, and adoration for soshiro matsubara, 2024 porcelain, glass, velvet, candles, parfum, rice flour, corn starch, silk peptide powder, lambs wool powder puff, polyfil, waxed thread</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/87f62cfb-02cf-42e2-9972-45fb951eaf03/_DSC1635_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>levee, 2024 ruched curtain of tulle netting with satin ribbon cords</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/d5d57d92-d6e9-4e3c-a105-c095732d5b03/_DSC1606_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>silk chiffon silk hotel, 2024 velvet upholstered desk chair on casters, porcelain, makeup brush bristles, antique ostrich plume (gift from Emmy Bright), chicken feathers, dyed goose coquille, duck down, embroidery flosses, shards of mother of pearl shank buttons, Serge Lutens paper smelling strips, ABS plastic artificial nails with crystal ornaments, stolen nail varnish, oil paint, perfumed powder, incense ash, PVA glue, ground white hominy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/ad877fa6-b99d-4814-8ecb-2a7835b4b32b/morris_Ms.+Scheherazade+Dalloway-Havisham_2024_Mrs.+Estelle+Lestrange_2024_1.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>Ms. Scheherazade Dalloway-Havisham, 2024 porcelain vase Mrs. Estelle Lestrange, 2024 dyed marabou feathers, duck down, perfumed powder, porcelain, vintage silk ribbon (gift from Laurie Stern), silk ribbon, rayon satin ribbon, Bvlgari ribbon, digitally printed satin, vintage kimono silk, molded plastic bows, waxed thread, hot glue, polyfil, dowel, MDF panel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/a3fcff7c-678b-4d9f-b5b6-55f57d697657/_DSC1616_ruschman_morris_nov_24.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>LOWER LEFT: I don’t dress like this because I want to look like a girl, I dress this way because I want to look like a faggot! (Sherrie Levine. Salubra 3, 2007) ii, 2024 oil on mahogany UPPER RIGHT: I don’t dress like this because I want to look like a girl, I dress this way because I want to look like a faggot! (Sherrie Levine. Salubra 3, 2007), 2024 oil on mahogany</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/b75db974-66b4-4305-bbc4-d7733737a3ed/Grotto+to+the+Romantic+Avon+Calling+Grotto%2C+2024_installation+view.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>Grotto to the Romantic Avon Calling Grotto, 2024 novelty perfume bottles, glazed porcelain, polymer clay, silk, embroidery floss, digitally printed satin, polyfil stuffing, stolen nail varnish, plastic beauty counter doll furniture, plastic vanity doll furniture installation view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/4b967e19-5b5d-445c-8235-71d714908dd1/_DSC1689-HDR_matt_morris_ruschman_nov_2024.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>violet sissy fleur pinkie installation view Ruschman November 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/ee4fa713-a829-4760-9870-615bffe59892/i+work+in+a+market+as+a+checkout+girl%C2%A0+%E2%80%93%C2%A0++i+had+a+feeling+that+i+belonged%C2%A0+%E2%80%93%C2%A0+dream+girl_2024.jpg</image:loc>
      <image:title>violet sissy fleur pinkie - Make it stand out</image:title>
      <image:caption>i work in a market as a checkout girl  –  i had a feeling that i belonged  –  dream girl, 2024 flashe, antique moire ribbon, porcelain, perfumed powder on Belgian linen over aluminum panel with poplar cradle 89” x 43”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.mattmorrisworks.com/tall-boys</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/b359cca1-c617-4872-b42d-2a177666742c/IMG_1504.jpeg</image:loc>
      <image:title>Tall Boys - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.mattmorrisworks.com/pink-days-and-terroir-days</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/07e216b6-b443-4c25-90a2-77b51de70425/_DSC0694_space%2Btime_oct_2024.jpg</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>FROM LEFT TO RIGHT: Matt Morris. Bâton My Aesthetic Dimensions (Madame), 2024 digital print on ruched satin Matt Morris. Bâton My Aesthetic Dimensions (Floozy), 2024 digital print on ruched satin Matt Morris. Bâton My Aesthetic Dimensions (Hussy), 2024 digital print on ruched satin Matt Morris. Bâton My Aesthetic Dimensions (Coquette), 2024 digital print on ruched satin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/fa10058c-178d-42cf-8a9b-4dbe50fb0889/morris1.JPG</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>Matt Morris. Bâton My Aesthetic Dimensions (Floozy), 2024 digital print on ruched satin detail view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/df1bead6-6da9-497d-bfe0-db7ce7a299ea/_DSC0696_space%2Btime_oct_2024.jpg</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>Installation view of Pink Days and Terroir Days, 2024 André Marin. Sentiment + Sediment, 2023 tofu, cba’s done with my sisters, a bandsaw, nitrile gloves, staples, tape, tickets, drawings from high school and freshman year, days in the sun, mildew, yellowing post-its, yarn and thread, torn screens, cloudy water, drainage holes drilled in a bucket, french candy wrappers, dancing flowers, dirt, a glass Matt Morris. Bâton My Aesthetic Dimensions, 2024 variable installation view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/10bed155-eded-475e-9c24-b71d01666972/checklist+front_pink+page.jpg</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/9219ff0e-4495-4934-83c4-fe569dad868b/_DSC0750_space%2Btime_oct_2024.jpg</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>Pink Days and Terroir Days: André Marin and Matt Morris Space &amp; Time Chicago, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/a4e5c18b-5673-4d24-940b-07201fdfd9cf/_DSC0686_space%2Btime_oct_2024.jpg</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>André Marin. Sentiment + Sediment, 2023 tofu, cba’s done with my sisters, a bandsaw, nitrile gloves, staples, tape, tickets, drawings from high school and freshman year, days in the sun, mildew, yellowing post-its, yarn and thread, torn screens, cloudy water, drainage holes drilled in a bucket, french candy wrappers, dancing flowers, dirt, a glass</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/5611c550-63c9-411c-bfa3-da163845ac46/morris4.JPG</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>Matt Morris. Bâton My Aesthetic Dimensions (Floozy), 2024 digital print on ruched satin detail view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/0f0c48a2-0837-49c7-b4d6-580421d53fb7/_DSC0737_space%2Btime_oct_2024.jpg</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>FROM LEFT TO RIGHT: Matt Morris. Bâton My Aesthetic Dimensions (Floozy), 2024 digital print on ruched satin Matt Morris. Bâton My Aesthetic Dimensions (Madame), 2024 digital print on ruched satin Matt Morris. Bâton My Aesthetic Dimensions (Grisette), 2024 digital print on ruched satin Matt Morris. Bâton My Aesthetic Dimensions (Harlot), 2024 digital print on ruched satin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/b7cd61ec-d238-4a30-af74-e23ce7d2513c/marin4.JPG</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>André Marin. Tiny Tears — Tindersticks, 2023 matt’s favorite, aluminum honeycomb, a new laser, letters, a kitty, large scale production, hauntings, vulnerability, fragility, changed plans, a dramatic cake</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/4f765193-943c-4276-964e-8399070e2717/IMG_1564.JPG</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>André Marin. Don’t Let It Go to Your Head – Black Harmony, 2022 cherry almond, soap, new orleans, chicago, hardwood floors, flea market, thrift store, hibiscus, tissue paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/a34d20d8-3855-49d4-acdf-27f1f1e0cf6c/IMG_1560.JPG</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>André Marin. Prey, 2022 a spill, dead plants, autumn leaves, a sandwich shop, receipts, bread orders, seeds, an extended breakup, shrubs, a lost sign, a hospital gown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/fb1bda05-c629-4e95-bf32-8557364e0f87/_DSC0712_space%2Btime_oct_2024.jpg</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>From left to right: André Marin. Sentiment + Sediment, 2023 tofu, cba’s done with my sisters, a bandsaw, nitrile gloves, staples, tape, tickets, drawings from high school and freshman year, days in the sun, mildew, yellowing post-its, yarn and thread, torn screens, cloudy water, drainage holes drilled in a bucket, french candy wrappers, dancing flowers, dirt, a glass André Marin. July 2023 (Legend), 2023 muffin’s trip to the vet, scratch offs, catalpa leaf, time, ribbon, vessels, grandmothers, prototypes, swamps, flies, windows, portals, port holes, shattered stone, bricks, spells: completed and begun, arancini, zucchini flowers, meatballs, pelotas, records, martinis, moons, a frozen church, bent light, homes, love, fairies, two heart attacks, coffee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/640facb7-9419-4bad-9a16-09267fe486ab/morris2.JPG</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>Matt Morris. Bâton My Aesthetic Dimensions (Hussy), 2024 digital print on ruched satin detail view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/d8331285-b1c3-47d7-aabd-3d5ebef3aefe/_DSC0684_space%2Btime_oct_2024.jpg</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>André Marin. Sentiment + Sediment, 2023 tofu, cba’s done with my sisters, a bandsaw, nitrile gloves, staples, tape, tickets, drawings from high school and freshman year, days in the sun, mildew, yellowing post-its, yarn and thread, torn screens, cloudy water, drainage holes drilled in a bucket, french candy wrappers, dancing flowers, dirt, a glass</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/3c3988ad-17fe-404b-8dbf-b2b21ad058d6/checklist+back_pink+page.jpg</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/7cd7bcae-30e4-4d62-a6c9-147f2b71fa29/_DSC0691_space%2Btime_oct_2024.jpg</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>Installation view of Pink Days and Terroir Days, 2024 André Marin. Ghost – Ella Henderson, 2022 laser cutters, multiple jobs, halloween playlists Matt Morris. Bâton My Aesthetic Dimensions, 2024 variable installation view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/97e4d7d7-3873-47e9-afd3-4b2968238302/_DSC0711_space%2Btime_oct_2024.jpg</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>Installation view of Pink Days and Terroir Days, 2024 André Marin. Glamour, 2024 carnitas, store fronts, galleries, pink, impulse, breakfasts, shame, fear, delicate folding, a goofy hookup, proximity, neighborhoods, a tattoo of tomatoes, annexation, marine biology midterm, grave plot invoice, intentions, syllabus, copy paper Matt Morris. Bâton My Aesthetic Dimensions, 2024 variable installation view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56a90f6005f8e25d4591948d/c12d8b58-5412-40e7-a9a7-6a0c7375823a/_DSC0685_space%2Btime_oct_2024.jpg</image:loc>
      <image:title>Pink Days and Terroir Days - Make it stand out</image:title>
      <image:caption>André Marin. Glamour, 2024 carnitas, store fronts, galleries, pink, impulse, breakfasts, shame, fear, delicate folding, a goofy hookup, proximity, neighborhoods, a tattoo of tomatoes, annexation, marine biology midterm, grave plot invoice, intentions, syllabus, copy paper</image:caption>
    </image:image>
  </url>
</urlset>

